Less than a week after James, I got to see the greatest complete line-up I’d ever seen: Locals Fjord Rowboat, and my all-time favourite electronica wizard, Ulrich Schnauss, opened for classic shoegazers, Chapterhouse.
A friend I was going with knew Fjord Rowboat personally, and he gave me their albums a couple weeks in advance so I would know what I was in for. Their albums were outstanding. They could easily qualify as a major-label act. I got a mid-career Catherine Wheel vibe out of them. A particular stand-out track was Paragon (Click to listen). The only thing is maybe they were a little too similar sounding to those early 90s shoegazer bands (of which Chapterhouse qualifies as too), but it was great to hear here and now.
Regardless, it was the first time in ages I actually wanted to see an opening act. They played as if they’d been doing this for years. Everything sounded and looked great. Nice equipment too, which they were actually lending to Chapterhouse.
Ulrich Schnauss is someone I discovered a couple years ago courtesy of my brother, and Kim at Penguin Music, and just became completely infatuated with his music. Chapterhouse was an influence to his sound, and Schnauss has often tried to bring the indie aesthetic to electronic music. (Check out Goodbye: I think he succeeds incredibly well there. Previous albums are more pure electronics and more ambient.) Reviews of the event (see bottom) have alluded or mentioned that Schnauss was actually largely responsible for this reunion tour.
Unfortunately, his set did not seem to go over particularly well with the crowd. They were there for guitars, and he just sat at his computer mixing in Ableton Live, occasionally throwing in a live keyboard accompaniment. He played a long time and people seemed to start getting bored. I heard several remarks about how he could have just hit ‘play’ and left the stage. He had visuals of European cities and vistas shot from a moving vehicle, but the screen was too large for the Lee’s stage and sat off-kilter behind drums and other equipment. The effect was much better when I saw him perform at The Rivoli three years ago. He should tour with a vocalist.
I knew all his albums backwards and forwards yet the only track I recognised was Never Be The Same, the introduction to Goodbye. I managed to catch a clip:
Before publishing under his own name, he’s been known as ‘View To The Future’ and ‘Ethereal 77’ and probably several other names I’m not aware of. I recorded the following because I absolutely loved the sound of it, but I have no idea what it is. I don’t know if it’s coming to a forthcoming album, or if he was just mixing some of his older music:
And then came Chapterhouse. To be honest, as slick and amazing as their albums were, I didn’t know what to expect from a reunion tour 20 years later. I walked in completely blind. (YouTube footage had actually scared me off from going to go see The Happy Mondays, but they are a special case…)
I was completely blown away. The years had been entirely kind to them, though it certainly helped that the band were only in their very early 20s when Whirlpool first came out. They still looked reasonably youthful, but more importantly sounded amazing; their voices still sounded syrupy and young.
It was a vastly better experience than seeing shoegazer legends, My Bloody Valentine was. I guess it was my fault for not doing my research before, but I had been unaware that MBV had a reputation for holding some of the world’s loudest ever concerts. It was so insanely loud that people were passing out and vomiting in the crowd. I was worried this was a shoegazer thing, but Chapterhouse didn’t depend on the volume gimmick, just textured swirly psychedelic, even danceable, guitars.
The show was phenomenal and certainly made me re-evaluate (and raise) Chapterhouse on the scale of legends-of-shoegazer.
The rest of my photos can be found here. Before the show I contacted the venue and asked on the Facebook and Last.FM pages if anyone knew what the camera policy was. Andy Sherriff of Chapterhouse was kind enough to contact me and let me know the band wouldn’t mind.
Some other reviews of the event:
Something nifty that came out of this: the gentleman that runs gtamusicscene.com noticed these photos and asked if I’d mind contributing to his blog in exchange for concert tickets. The first show I did for him was Bruce Peninsula.
I got to see James for the second time at the end of September. Unable to find any regulations about cameras, I brought mine in:
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I was done shooting anyway, but unfortunately security accosted me and made me put the camera away because it had “removable lenses.” Apparently having a sub-SLR isn’t enough any longer. The rest of the pictures I took are here.
It was unfortunate because a bunch of friends happened to get invited to dance on the stage during Laid (not my video):
The show was outstanding. It started out with a simple, stripped down version of Sit Down (official, but non-album version video), with Tim Booth walking down the centre aisle from the back to the stage. When I last saw them at The Phoenix two years ago, they just started with a double-speed version of Born of Frustration (nonsensical fan video), which was unfortunate because it’s my favourite track by them. Still, at least I got to hear it once as it was the only time I got to see it live: they skipped it this time around.
Despite that minor setback, the show was phenomenal. They played a few new tracks, but lots of favourites such as Ring The Bells, Seven, Getting Away With It, Tomorrow, Stutter, Say Something, Sound, Out To Get You and Sometimes. Their newer tracks, Dust Motes, Crazy, It’s Hot, Porcupine and Tell Her I Said So went over just fine considering how quiet they were to begin with.
The only shame was that the crowd went nuts after their encore, but that was it. It almost seemed as if the band would come back with the lights dimming again, but disappointingly the venue’s piped music came on and the crew started disassembling the band’s gear. On their blog they commented:
The show in Toronto was amazing. The audience clapped forever, calling for endless encores. Too bad there was a curfew…
Mr. Booth commented on Twitter:
The manager at the toronto venue said he hadn’t seen any audience make such a noise in 10 years of owning clubs.
Maybe next time they’ll choose a better venue. The Queen Elizabeth Theatre wasn’t the worst place I’ve seen a show, but it inhibited the band. Considering it was seated, no one I knew there complained about their view of the band, and the sound, no pun intended. That said, the assigned seating really impeded the energy. People really just want to be able to dance and/or make fools of themselves.
Other takes, as I discover them:
BlogTO (great photos)
LiveInLimbo.com (also great photos)
This post is mostly intended for someone to come across via Google having trouble unlocking his or her phone. There is a tonne of misinformation and lots of scams out there.
My girlfriend had been using an unlocked 1G iPhone for a while. That phone was locked to AT&T in the USA while she has beens using a cheap Bank of Montreal phone plan here in Canada. She doesn’t want to pay for a data plan; she’s happy just using wi-fi on the iPhone whenever it’s available.
The 1G had started to die though, with error messages constantly popping up. Each time the message would pop up, the screen would turn on, so the battery could only last a few hours.
She bought a used 8 GB 3G iPhone locked to Rogers to replace it, however the previous owner had updated it to official Apple iPhone firmware 3.1.3 which did several things to make unlocking it to other cellphone networks impossible.
With iPhones, there are two distinct hacks: jailbreaking means that you can run home-made software on your iPhone without needing to go through Apple’s official App Store. Unlocking, like with any other cellphone, means that you’re not restricted to any one particular cellphone carrier.
In addition to the main iPhone operating system, (now known as “iOS” as it’s shared with the iPad), there is separate firmware that controls the modem in the phone: the part that actually connects with the cell network. This firmware is known as the baseband. Finally there’s a bootloader as well, which may be governed by the hardware iteration rather than software, but I’m not sure. The jailbreak used to be mostly dependent on the operating system, the unlock used to be mostly dependent on the baseband version. The bootloader determined whether or not you could restore your iPhone to older versions of baseband which could then be unlocked.
The sum total though was that with old hacks, it was impossible to unlock my girlfriend’s 3G iPhone to work with her cell provider.
Once iOS 4.0 was released however (June 21, 2010), the brilliant hackers that figure out how to jailbreak and unlock these things published exploits they had been withholding. They’d been waiting for iOS 4.0 to come out to get more mileage and not waste them on an otherwise minor firmware update. These current exploits work with ALL iPhones from 3G onwards, all basebands, and all bootloaders.
To unlock your 3G:
From now on, do not install any new official Apple firmware until you’ve absolutely confirmed that you can jailbreak and unlock it.
I haven’t been neglecting this blog, honest. I just can’t finish any of the articles I want to write for one reason or another.
But I want to point out, it’s such a bullshit rhetorical technique. Everybody knows that nobody needs anything but food, shelter, and clothes if he or she is modest.
It’s perfectly okay to want/lust after something, and it’s nobody else’s business … except maybe creditors. I guess being an Apple fan is just a slightly more abstract hobby.
I think most of my techy friends have moved onto Google Chrome at this point, but I’m still a bit of a Firefox die-hard.
These are my favourite add-ons which I believe aren’t as popular as things like AdBlock, and might be of use to you.
1. The best theme I’ve come across so far is “TwentyTen”
It’s modern, sleek, and uses the Win7/Vista Glass effect quite well.
2. ScrapBook – Saves webpages to your computer with a click. It’s like bookmarking, but it actually keeps a record of the page. It’s useful because you don’t have to worry about the page vanishing between visits. I mostly use it to keep track of recipes, hah.
Procrastinating a bit from some contract work I need to get done tonight.
I’d seen Amazon Kindles in person a few times, and was absolutely blown away by the quality and legibility of the text on the screen. I didn’t get to spend that much time with them though to really get a feel for the features. I didn’t like how a lot of the device’s real-estate was used up by a keyboard though.
Today I spent a while with the Sony eReaders, and was surprised to find that they don’t look or feel nearly as nice as the Kindle. They looked great in their press-shots and sounded vastly superior to me, but they felt quite cheap comparatively. When these things are supposed to recreate the “experience of reading a book,” which detractors keep bringing up, it’s apparently a really big deal.
Speaking of e-book readers in general, the ability to change text-size I think is a killer feature. However one thing I noticed on the Sony readers, and really disliked, was that they wouldn’t justify or typeset the text particularly well. It’s especially obvious at larger font sizes. I don’t know whether the Kindle does this either, but it seems like it’d be a great feature to further enhance legibility. Maybe most people don’t notice this sort of thing though.
It does make me think though that I really don’t want to be an early adopter in this instance, and it’s steeled my resolve to get through all the physical books I’ve acquired over the years before I invest in something that will be obsolete in a few months…
I’d been meaning to write about Avatar for some time since I’d seen it, as none of the reviews/articles/criticisms I’d seen on it quite captured my thoughts. Now this Macleans article, by Brian D. Johnson, captures them far more succinctly than I could manage: Why Haven’t You Seen Avatar Yet?
The only thing I’d really like to add is to chastise people who are reading so deeply into what is really such a superficial movie. The plot is so thin, the characters are so shallow, you’re just seeing what you want to see, or ‘jumping at shadows’ so to speak. Despite the lack of depth, the movie still manages to be an awe-inspiring experience. It’s really okay to just watch it with an open … or possibly empty mind.
I picked up a BlackBerry a couple weeks ago. The impetus was that I started a new job with heavily-monitored internet, and an extremely restrictive firewall. I wanted to avoid trouble with my new employer and couldn’t deal with being completely cut off for over half the waking day. Suddenly having no access to personal email felt really isolating.
I chose a BlackBerry mostly because I really didn’t like tapping out long messages on an iPhone’s keyboard. For plain internet browsing, I think the iPhone’s browser wins no-contest, but that wasn’t my main concern. As it turns out though, I’m just ecstatic with this purchase, and I’m discovering more and more to do with it every day.
I was on Fido, but still had 11 months left in my contract. I discovered that Rogers can be negotiated with to allow you to break your contract once in your lifetime, to switch from Fido to Rogers or vice versa, as long as you’ve been on your respective network for at least a year.
As the gadget comes up in conversation, I’ve noticed some inaccuracies, and as well, have found solutions to some common complaints:
Some personal favourite apps include:
The one minor gripe I have is that I can’t access Gmail-specific features from within the Messages app. The BlackBerry suggested I download a special “Gmail plug-in” when I first set up my email account, which would allow me to do things like flag and categorise messages. This works great, however I have to run it as a separate programme. When I look at my email from within the default Messages app though, I can’t do any of that Gmail-specific stuff. It sort of defeats the purpose of having a consolidated inbox, and calling the programme a “plug-in.” Hopefully I’m just missing something, or it will be corrected soon.
I can’t believe I didn’t think to write about this before. At the time, it didn’t occur to me to take a photo until I was half done the glass…
Over a month ago I had the pleasure of attending the official launch party for Dieu du Ciel!‘s, a Montréal-based brewpub, products in Ontario at Bar Volo. I discovered Dieu du Ciel! through a friend (blurred in the background of the photo) who’d also introduced me to Bar Volo, previously the only place you could find these beers in Ontario.
I used to love beer. The problem is, since discovering this brewery, nothing else has been as good. I’ll occasionally still drop by the LCBO, but if they don’t have Peche Mortel or Corne du Diable in stock, I’m just not interested.
Those are the only two that are being bottled for Ontario currently. The LCBO is low at this particular moment. When they do have stock, they seem to primarily fill the Summerhill, Atrium at Bay, and St. Lawrence Market locations.
The brewery has an amazing variety of phenomenal beers. November is supposed to be bringing a selection to taps at the good beer bars in Toronto (in addition to Volo): C’est What?, The Rhino, Victory Cafe, Smokeless Joe’s, etc. One of the promised draughts is a cocoa-vanilla stout, Aphrodisiaque, the best beer I’ve had in my entire life.
I just wish I’d been aware of them in my previous trips to Montréal. I need to make a trip there just to visit the pub.